René Godínez Pozas, b. Mexico City, 1986
Carlos Lara, b. b. Mexico City, 19865
They both live and work in Mexico City
Education
2006-2010 Escuela Nacional de Pintura, Escultura y Grabado, ENPEG, La Esmeralda, Mexico
Residencies
AIR FUTURA Prague, Prague, Czech Republic, 2020
Upcoming Residencies 2023
– Residencia Cerámica Suro, Guadalajara, Mexico
– Casa Wabi, Oaxaca, Mexico
Solo Shows
– Mini Gran Juego, Jim Ricks Projects, Mexico City, Mexico, 2022
– Aeon Blink, LAAA, Mexico City, Mexico,2022
– The Dream is Over, The Insect is Awake, Galería Mascota, Mexico, 2021
– Burnt Stuff, PEANA, Monterrey, Mexico, 2020
– MESA, ßpatz, Karlsruhe, Germany, 2018
– The Grand Design, YAUTEPEC, Mexico City, Mexico, 2017
– Back Burn, BBQLA, Los Angeles, USA, 2016
– Piedra Temporal, Sala de Arte Público Siqueiros (SAPS), Mexico City, Mexico, 2016
– Unclassified Site Museum, Black Cube Nomadic Museum, Denver, USA, 2016
– Figerprints of the Gods, Et, al. etc., San Francisco, USA, 2016
– Murmullos de la Tierra, Museo Universitario del Chopo, Mexico City, Mexico, 2015
– RING BELL, SUN, 21EARTH, YAUTEPEC, Mexico City, Mexico, 2014
– Temporary Tattoo Studio, Biquini Wax, Mexico City, Mexico, 2013
– DARK KILLER DANCE NIGHT, Casino Metropolitano, Mexico City, Mexico, 2011
– SANGREE en Alemania, Mucharaum, Kunstakademie, Karlsruhe, Germany, 2011
– DARK KILLER DANCE NIGHT, Planta Baja, Cuernavaca, Morelos, Mexico, 2011
Group Shows
– Everything Here is Volcanic, Friedman Benda, New York, USA
– re:imagining collections, Tufts Art Galleries, Medford, USA
– Todos me amarán: Arte de Mexico hoy, Casa de México en España, Madrid, Spain
– Cera, Son de Aquí, Oaxaca, Mexico
– Keramos Keremos, JO-HS, Mexico City, Mexico
– The Beyond, Based Agency, Los Angeles, USA
– No Humans Involved, Hammer Museum, Los Angeles, USA
– House Parté, curated by Carlye Packer, Palms Springs, 2021
– Ambulantaje, Galería 54, Ciudad de México, 2021
– OTRXS MUNDXS, Museo Tamayo Arte Contemporáneo, Ciudad de México, 2020
– The memory we don’t recall , PEANA in collaboration with LABOR, Monterrey, México, 2020
– SENSORIA, ARTBO’s digital program: Fin de Semana, ARTBO Digital, 2020
– Con un aire popular, Casa de México en Madrid, Madrid, España, 2020
– ADN: Tierra ignota, Museo de Arte Contemporáneo de Querétaro, Querétaro, Mexico, 2020
– Con un aire popular, Casa de México en Madrid, Madrid, España, 2020
– Cold Pressure, Warm Touch, Peana, Monterrey, Mexico, 2019
– Who’s afraid of Red, Yellow and Blue, Proyectos Monclova, Mexico City, Mexico
– The Fulfillment Center, Black Cube Nomadic Museum, Denver, USA, 2019
– Ebullición, Kunstraum Am Schauplatz, Vienna, 2019
– Historia Natural, Centro Garza Sada de Arte, Arquitectura y Diseño, Monterrey, Mexico, 2019
– Pabellón de las escaleras, Guadalajara 90210, Mexico City, Mexico, 2019
– Silogismos de la construcción, Studio Block M74, Mexico City, Mexico, 2019
– Spirit Painting, Peana, Monterrey, Mexico, 2018
– Mutualistic Symbiosis (1 Soul, 2 Bodies), Frontera 115, Mexico City, Mexico, 2018
– Terror en lo Profundo, Human Resources LA, Los Angeles, USA, 2018
– Did you close your eyes to make this painting?, BWSMX, Mexico City, Mexico. 2018
– Necronomicon Uploaded, Deslave, Tijuana, México, 2017
– El eje del mal, Ruberta, Los Ángeles, EUA, 2017
– Formasobrefondo, curated by Willy Kautz, Proyectos Monclova, Mexico City, Mexico, 2017
– Jenny from the Color Block, curated by Eric Ruschman, The Art Academy of Cincinnati, USA, 2016
– What a Time to Be Alive, Sunday, Los Angeles, USA, 2016
– Poseur, Land & Sea, Oakland; UCSD Visual Arts Gallery, San Diego, USA, 2016
– Back to the Future, Casa Maauad, Mexico City, Mexico, 2015
– now what, Gildar Gallery, Denver, USA, 2015
– USB’s, Lodos Contemporáneo, Mexico City, Mexico, 2014
– Left eye right eye, V8 Plattform für neue Kunst, Karlsruhe, Germany, 2013
– Tráfico, Otras Obras, Tijuana, Mexico, 2013
– DANCING CIRCLES, NO Space, Mexico City, Mexico, 2013
– Winter is coming, Autjaus Neter, Mexico City, México, 2013
– The Principes in Venice, 54th Venice Bienale, Venice, Italy, 2011
– The Principes, La Capilla, Mexico City, Mexico, 2010
– Ajeno, Maison de l’Amérique Latine, Brussels, Belgium, 2010
– WORK IN PROGRESS Young Mexican Art Students, The Ivan Gallery, ACAD, Calgary, Canada, 2010
– Los Años Maravillosos, Centro Nacional de las Artes, Mexico City, Mexico, 2010
Press
– Sensoria o el presente digital del arte, by Diego Moreno Mancipe y Alexandra Martinez Ruiza,
wradio.com.co, August, 2020
–Nepantla, by Ixchel Ledesma, Harper’s Bazaar en español, January 2020
– Fake Ruins Beneath a Denver Bus Station, Hyperallergic, Oct 2016
– Unclassified Site Museum takes a curious look underground at our past, The Denver Post, Sep 2016
– Aztec twist for Absolut Art Bar, The Art Newspaper, Feb 2016
– Sangree: Tenochtitlán es un art bar y Tlatelolco un skatepark, i-D, Feb 2016
– I Get Emails About This Every Day, FLAUNT, Jan 2016
– Faux-Archaeological Artifacts of an Imagined Skater-Aztec Civilization, by Devon Van Houten Maldonado, Hyperallergic.com, Nov 2015
– The Spanish and Latin talents taking on the art world, by Monique Todd, Dazed Digital, May 2015
– Un nuevo horizonte, La Tempestad, N°100, Enero-Febrero, Mexico, 2015
– A Guide to Mexico City Porject Spaces, Art Review, Vol.16 No. 1, Mexico, 2014
– 2012, Folio, V.006, Mexico, 2014
– Left eye right eye, printed publication for the exhibition, Mexico, 2013
– Futuristas, PICNIC magazine, N° 42; Mexico, 2011
– Mecánica y Estúpida, Caviar Izquierda magazine, N° 3, Mexico, 2011.